Showing posts with label music review. Show all posts
Showing posts with label music review. Show all posts

Monday, October 29, 2007

Sunset Rubdown - Random Spirit Lover

Random Spirit Lover is Sunset Rubdown's 3rd full length record album and their first to sound like a full set coaction rather than a Herbert Spencer Krug solo project. This is immediately apparent in the drawn-out presentation of record album opener "The Mending of the Gown," where each set member stretches out their musical legs in readying for the ensuing nearly hour-long journey into a human race of Equus caballuses and prostitutes before Krug interruptions through with his best 50's nickelodeon strut that would do Misfits-era Danzig outcry crying of blood. And THANK HEAVENS, for Sunset Rubdown is finally out of Herbert Spencer Krug's sleeping room and into the stars!

There's no better manner to open up an record album than with a quintessential mental representation of a new muscular sound of four instrumentalists feeding off each other and hitting all at once. And "The Mending of the Gown" delivers. The tunes are looser and the guitars more playful than anything we've heard from Sunset Rubdown. Keyboardist and background singer Camilla Wynn Ingr plays the Dan Boeckner function of pushing and pulling against Krug's vocals, bringing the song to high that Krug's voice simply could not attain on his own. Their exchanges of "this one's for Maggie, this one's for Sam" make a superb latent hostility that's both beautiful and manner too empyreal to not listen on repeat. It's the high-grade minute of 2007...that is, until 10 secs later when the gorgeously terrific "I have got lusted after you....THE manner blood chumps DO!" detonates and goosebumps it's way into the sing-along hallway of fame.

The glare doesn't halt there. In "Magic Vs. Midas," Jonny Greenwood-esque guitar jabbings permeate an otherwise lovely keyboard drive across the existence before Krug's mesmeric mantra "You made up a listing of your luckiest stars, and you made me familiar to you in the dark." It's moments like this that separate his songwriting from coevals like Frog Eyes' Carey Mercer. Though rather vague, abstract, and self-referential (the Equus caballuses have got galloped over from 2006's Close Up I Am Dreaming) like Swan Lake set first mate Dan Bejar, Krug's words always packs a tangible emotional resonance. Some of his high-grade minutes are the most subtle; the one's that uncover their wonderment and grief lone after perennial listens, as in "Winged/Wicked Things" when he sings "and the form of flight is helter-skelter and blind,
but it's compensate because pandemonium is yours and it's mine." It's the sort of beauty that tin lucifer such as Krug penned classics as "I'll Believe in Anything" and "All Fires."

The only unfavorable judgment I could come up up with is that the Cocteau-Twins-playing-D&D vibe of "Colt Stands Up, Grows Horns" is a spot of a impulse slayer smack dab in the center of the album. Also, closer "Child-Heart Losers" blanches in comparing to the former album's annihilating closer of "Shut Up I Am Dreaming of Places Where Lovers Have Wings." But that is indeed a mighty melody to match.

Random Spirit Lover is yet another notch on the belt of Herbert Spencer Krug, who have been cranking out quality record albums at a 60's hit-makers pace. This is that yearly fall release that bends everything a different colour and never go forths your cadmium player/turntable/ipod/whatever. Get into this now before you're complaining four old age down the line that he is past his prime.

Sunday, June 10, 2007

Review of The Eyes of God by Scott Kalechstein & Friends

The Eyes of God

It's been awhile since I've had the pleasure of being introduced to a new collection of devotional music. Scott Kalechstein has a number of albums out in several genres. He has a scintillating sense of humor, which he uses to great effect in concerts and other venues. His CD, Levitational Pull, is filled with hilarious gems such as "Waking Up is Hard to Do" and "Just a Co-Dependent Love Song." Levitational Pull is perfect for those times when we find ourselves becoming way too serious, and I recommend it highly.

In this review, however, I want to focus on Scott's beautiful, heartfelt The Eyes of God, a devotional masterpiece of reverential singing from a spiritual perspective. Uplifting, positive melodies inspire us to the highest of our potential, creating luminous opportunities to become fully present in the precious now moment. These are songs you will want to take into your heart and make a part of your devotional practice. In addition to Scott's warm voice, a choir of angels backs him up. I have listened to The Eyes of God numerous times, and Scott's wonderful music never fails to bring tears of gratitude and joy.

A host of musicians accompanies Scott and the choir on the eight songs that comprise the wondrous The Eyes of God. Scott plays nylon and steel string acoustic guitars, while others contribute additional guitar, flute, saxophone, bass, cello, drums, tablas and percussion for a full, rich sound. Several tracks, including Michael Stillwater's divine "You Guide Me" and the anonymous "I Am with You Now," may be familiar. Scott wrote the others, which include the intoxicating "Closer and Closer" and the celebratory "An Open Heart." Soothing and uplifting at the same time, The Eyes of God is a passionate paean to the One Heart that beats us all.